HARLEY OLIVER BROWN

Selected Works

• Musician, Label Owner, and Producer Suzi Analogue on Trusting Your Process

• Why Carl Craig at Dia:Beacon is a Groundbreaking Moment for American Art Institutions

• Croaks, Squelches and Waterfalls: The Visionaries Bringing the Jungle to Your Headphones

• Blood, Terror, and Bass: The Heavy Return of Dub Poetry

• The State of New Age Music in the ‘Always On’ Wellness Era

• Inside One Montreal Festival’s (Unfortunately Rare) Dedication to Sound

• Lost Rings Is the Record Label Prioritizing Women Gamers of Color

• Does the Surprise Album Release Still Work?

• “Eco Grime” Artists Blend Natural Sounds & Electronics to Depict a Polluted World

• La Dispute’s Long, Hard Road to ‘Panorama’

• A Southside Shakedown: Chicago’s Latin Juke Scene

• Collaborative Instruments: An Illustrated History

• All Hail the King of Pussy Pop on the Weeknd’s ‘Beauty Behind the Madness’

• The War On Drugs’ New Album Is the Sound of Quitting

• Parquet Courts: Band On a Wire

Author Pages

• Pitchfork

• Billboard

Radio

• The Takeaway on WNYC and Volume on SiriusXM (appearances)

• Peak Time on Red Bull Radio

• CityFM on WENY